Tag Archives: Orville Peck

“Legends Never Die” by Orville Peck and Shania Twain [New Single + Music Video]

My inner child has been delighted this morning by this truly wonderful video featuring one of my current faves, Orville Peck, and one of my perma faves, Shania Twain. BOTH CANADIANS. The “Legends Never Die” song is great, but the video makes it wonderful.

Along with Shania, several other Friends of Orville appear in the video including Jaida Essence Hall, Teddy and the Rough Riders, Emily Nenni, Miss Toto and others.

As I’ve written about before, I am super excited about this batch of alt. country performers, and it’s exciting to see O.G. Queen Shania tag along with them.

Dayuuum, Boy: Marlon Williams

So, I don’t remember the exact path that led me to stumble upon Marlon Williams. I think Spotify recommended him as a “Fans Also Like” algorithm suggestion.

He is already pretty big (huge?) in his native New Zealand, and I’m assuming Australia, but maybe William will confirm if he happens to stumble upon this entry! Additionally it appears Marlon was briefly in A Star is Born (the remake with Lady Gaga that I still haven’t seen) and his song “Dark Child” was featured in the documentary Wild Wild Country.

He’s been on “Conan” in the U.S. too.

So where have I been? Well, I don’t watch a lot of tv, and I don’t watch a lot of movies when they first come out probably because I am a bit of a grandma in terms of pop culture. In a bubble I am.

But when I heard Marlon Williams, I was like “Damn, this Marlon boy kinda sounds like if Nick Cave had a baby with Orville Peck and it was also very talented and kinda dark but great at storytelling,” and if you have been reading my stuff or do read into my archives, you will know that combination of artists would be capable of grasping my beating heart and crushing it, and I would still manage to die with a smile on my face.

But then I looked this Marlon boy up, and I was like “Damn, this boy is also very handsome, funny, and goofy.”

So yeah, Marlon will 100% be a regular staple to my listening habits. Congrats on leaving me speechless even though you dance kinda funny. I am rurnt.

“Welcome to Hard Times” by Charley Crockett

While I’m losing my shows, there is a slew of new alt country coming out the last few months. Orville Peck released a new single a few weeks ago with another release planned this week. Emily Nenni, whose song “I Owe You Nuthin'” I discussed in a previous post, also released a new album.

Now we can add ๐Ÿ˜Charley Crockett๐Ÿ˜ to the list of performers with new music with his new single “Welcome to Hard Times”, which is honestly vibes for the whole world right now.

Charley, as I mentioned in my post discussing intersectionality in country music, knows hard times. Just a little over a year ago he had heart surgery to replace a valve used to correct a congenital heart defect. Before that he was leading quite an exciting life in general.

I was reading this article about the new single and album, and Charley said something that really stood out to me:

โ€œThis record is for the folks who feel like everything is fixed,โ€ Crockett says of the new album, โ€œIf you think youโ€™re playing a rigged game, youโ€™re right. If it seems like all the cards are marked in advance, they are. But you still gotta roll the dice, even when you know theyโ€™re loaded.โ€

You still gotta roll the dice, even when you know they’re loaded, indeed. I think in these times for the world and for me personally, those are words to walk with. It doesn’t matter what hand we’re dealt, the world keeps turning and we can keep walking or, as Charley put it, roll the dice knowing failure is ahead. Then try again.

Charley’s musing reminds me of something my favorite Stoic philosopher Marcus Aurelius said: “The impediment to action advances action. What stands in the way becomes the way.โ€ Trials and failures are inevitable. In both times of reward and challenge, we should expect trials and failures and, better yet, welcome them.

P.S. This new WordPress editor is my latest trial and so far, failure. ๐Ÿ™‚ Pardon any errors while I am re-learning the editor.

“Queen of the Rodeo” by Orville Peck

I’m a little obsessed with the video for “Queen of the Rodeo” (with a little bit of “Falling Roses”) by Orville Peck.

The video is stunning and fun. The song itself is refreshingly very positive: “The song and video are about allowing yourself to get out of your own way, beat your demons and crown yourself queen of the rodeo.”

I will let the video stills speak for themselves:

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2020: The Year of Live Music

Calling it now: 2020 is The Year of Live Music in my small corner of the world.

I ended 2019 by seeing a pretty transcendent performance by BADBADNOTGOOD (a bucket list show for me).

This is what is on deck for 2020 so far:

Continue reading 2020: The Year of Live Music

Intersectionality in Country Music

As I mentioned in my Raw Yee-Haw post, country and honky-tonk has always had a variety of rebels. I use the term “variety” because the type of rebellion is really up-for-grabs. For example:

  • ย David Allan Coe: He really deserves his own post: spent a large part of his life in prison, lived in a hearse, says the “n-word” quite a bit (yikes), and made a country-metal album with Pantera. Many of his songs cover issues of class-consciousness.
  • Dixie Chicks: America’s sweethearts until they pissed off much of the conservative country fandom when they were critical– rightfully so– of George W. Bush and the Iraq War. The Dixie Chicks held their ground, never apologized, and, honestly, it was awesome. “Not Ready to Make Nice” was a song that was a result of the incident. It’s also a song that has gotten me through some of my most pissed off times.

These are two different presentations of rebellion with quite different motivations. I could discuss so many other examples, but these are two that come to my mind more immediately.

Continue reading Intersectionality in Country Music